Pelléas & Mélisande
Infos & Cast
About
Infos & Cast
Pelléas & Mélisande
Opera by Claude Debussy
Libretto by Maurice Maeterlinck
Premiered on April 30, 1902, at the Opéra-Comique in Paris
Last performed at the Grand Théâtre de Genève in the 1999–2000 season
Revival of the 2020–2021 production (streaming)
Co-production with Opera Ballet Vlaanderen and Théâtres de la Ville de Luxembourg
October 26, 2025 – 6PM
October 28, 30 and November 4, 2025 – 7PM
November 2, 2025 – 3PM
At the Grand Théâtre de Genève
Recommended for families
Sung in French with French and English surtitles
Duration: approx. 3h15 with one intermission*
CAST
Musical Director Juraj Valčuha
Stage direction & Choreography Damien Jalet & Sidi Larbi Cherkaoui
Scenographer Marina Abramović
Costumes Designer Iris van Herpen
Lighting Designer Urs Schönebaum, executed by Simon Trottet
Videos Designer Marco Brambilla
Dramaturgy Koen Bollen
Choir Director Mark Biggins
Choreographic Assistants for the Creation Aimilios Arapoglou and Leif Finhaber Pinos
Musical dramaturgy Piet De Volder
Pelléas Björn Bürger
Mélisande Mari Eriksmoen
Golaud Leigh Melrose
Arkel Nicolas Testé
Geneviève Sophie Koch
Yniold Charlotte Bozzi
A Shepherd / A Doctor Mark Kurmanbayev
Grand Théâtre de Genève Chorus
Orchestre de la Suisse Romande
Dancers from the Ballet of the Grand Théâtre de Genève and Eastman Dance Company
Sponsored by
BRIGITTE LESCURE
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Partner in contemporary art
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Partner of the Ballet du Grand Théâtre
*Duration is indicative and subject to change.
About
Lost in a forest, Golaud meets a mysterious young girl crying by a fountain. She has fled from those who were harming her and her name is Mélisande. Golaud persuades her to marry him and come with him to Germany, where his father King Arkel welcomes them into his dark castle. Misery and famine reign in Germany, but in the castle, essential things are kept silent. Its inhabitants are prey to trauma and repressed desires. It is only with Pelléas, Golaud’s half-brother, that Mélisande finds the shared awareness that the essential is not always the visible. A fatal triangle thus develops between Mélisande and the two brothers.
Maurice Maeterlinck’s play Pelléas and Mélisande is one of the key works of the Symbolist movement, in which so many other Belgian artists such as Émile Verhaeren, Georges Rodenbach and James Ensor distinguished themselves.
Claude Debussy was one of the many musicians to succumb to its timeless mystery, and asked Maeterlinck to adapt the play into a libretto for the only true opera that he would write: “I wanted the action never to stop, but for it to be continuous and uninterrupted. I never allowed my music to hasten or delay the movement of my characters’ feelings and passions due to technical demands.” Thanks to the anti-rhetoric character of Pelléas, who carefully avoids all emphatic gesture, it has become the flagship of anti-Wagnerians, even though Debussy’s opera constitutes an audible modernist response to Tristan und Isolde and Parsifal.
Streamed on Grand Théâtre Digital during the Covid epidemic, in January 2021, this staging which unites Ballet du GTG director Sidi Larbi Cherkaoui and the Ballet’s associate artist Damien Jalet with legendary visual artist and performer Marina Abramović, is finally arriving in front of the place de Neuve audience. In it, the creators draw their material from the continuous circle of life and its inherent link to the cosmos, following Debussy in refusing all illustration, but throwing rays of cosmic light here and there on the characters’ invisible energies and hidden emotions. Eight dancers from the Ballet du GTG accompany and express the inner feelings of the soloists, while the grande dame of avant- garde haute couture Iris van Herpen dresses their invisible meshes. Generating the mysterious frisson which makes this fragile drama so compelling is acclaimed Slovak conductor Juraj Valčuha, leading the Orchestre de la Suisse Romande for the very first time. As with the streamed 2021 production, Marie Eriksmoen with be a fragile, tender Mélisande opposite Leigh Melrose’s powerful Golaud. Björn Bürger, an outstanding Prince Andrej in War and Peace at the GTG in 2021, will bring his elegant baritone and intense stage presence to Pelléas.
Introduction
Pelléas & Mélisande at La Plage
Check out all the various events connected with the production.
45 minutes before the performance
45 minutes before the bells call you into the house, it’s time to refresh your memory and go back to the beginnings of the opera: we offer a brief introduction to remind you what the work is all about and what kind of magical, apocalyptic, critical or hyper-realistic worlds the people behind the production have in store for you. Lickety-split, there’s just enough time to grab some bubbly before you take your seats under the star-studded ceiling of a thousand and one operas!
45 minutes before each performance
Free admittance with performance tickets
Foyer of the GTG
Thursday, October 2 at 6:30PM
About Pelléas & Mélisande
Poor Golaud. His wife Mélisande prefers his half-brother Pélleas. Is he the only one to suffer the ravages of infidelity in the realm of melody? Certainly not! But while Debussy modestly cloaks infidelity in the nuances of the unsaid until the final tragedy, others such as Offenbach and Poulenc choose to laugh about it joyfully. Cuckolded husbands: should we laugh or cry? An evening devoted to adulterous love, poetic or comic, but always in French, “s’il vous plaît”.
Charlotte Bozzi, soprano
Jean Miannay, tenor
Mark Kurmanbayev, bass
Xavier Dami, pianist
Thursday, October 2, 2025 at 6:30PM
CHF 25.-
First drink included (except cocktails and champagne)
At the Grand Théâtre de Genève
Wednesday, October 15 at 6:30PM
Pelléas & Mélisande – Les vertiges de l’inconscient
« Je ne pourrai plus sortir de cette forêt ». Ainsi s’ouvre Pelléas et Mélisande, sous le signe de l’enfermement définitif. Mais cette forêt où l’on se perd, n’est-ce pas l’inconscient de personnages qui semblent avoir refoulé les pires secrets ?
Cette conférence sous forme d’enquête se propose de donner quelques clés pour s’y retrouver dans le labyrinthe mental d’une famille où le non-dit le dispute au mensonge.
A conference in french by Christian Merlin in collaboration with the Association genevoise des amis de l’opéra et du ballet.
Wednesday, October 15, 2025
At 6:30PM
Théâtre de l’Espérance
> access
Entrance :
Free for members of the association and young people under 30
Non-members: CHF 15
Older people and unemployed: CHF 10
MORE INFOS
Saturday, October 25 at 6PM
Sans soleil
At once a tribute and a discovery, CINÉOPÉRA offers a carte blanche to prominent figures from the worlds of opera and ballet who will grace our house throughout the season.
For this first event of the season, Les Cinémas du Grütli present Sans Soleil (1983) by Chris Marker, a documentary film selected by choreographer Damien Jalet.
Saturday, October 25, 2025
at 6PM
Cinémas du Grütli
MORE INFOS
In partnership with

Thursday, October 30
Haven’t you ever wondered what it’s like on the other side, when the curtain falls on a performance? How does all the technical machinery work? What do the stagehands have to do to get things back into working order? Or maybe just bump into one of the stars of the show?
So let us raise the curtain on all this for you. With every production, we give our patrons an opportunity to come backstage with us, raise their eyes to the flies and take a good look at what’s behind the sets. It may be dark in the wings but there’s a whole lot going on there! And because it’s a really busy place, we can’t really do this more than once per performance run. You will need to book your visit beforehand, so don’t delay!
A member of the theatre staff who can answer all your questions and show you some of the very impressive features of our opera house takes you backstage for free.
After the October 30 performance, a member of the theatre staff who can answer all your questions and show you some of the very impressive features of our opera house takes you backstage for free.
The “En coulisse” tour lasts about 20 minutes, starts 15 minutes after the performance, is free of charge on prior reservation by email at [email protected].
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Photos Credits
Gleeson Paulino / Untitled, Egypt, 2023
Pelléas & Mélisande © GTG / Magali Dougados
