Saint François d’Assise
La Tribune de Genève
By the world’s beauty
And the evil gnawing at it.
Infos & Cast
About
Infos & Cast
Opera by Olivier Messiaen
Libretto by the composer
First performed on 28 November 1983 in Paris
First time at the Grand Théâtre de Genève
New production
11, 16, 18 April 2024 – 6PM
14 April 2024 – 3PM
Sung in French with French and English surtitles
Duration: approx. 5h20 with two intermissions*
CAST
Musical Director Jonathan Nott
Stage Director, set design, costumes and video Adel Abdessemed
Lighting Designer Jean Kalman
Co-lighting designer Simon Trottet
Dramaturgy Stephan Müller
Choir Director Mark Biggins
Stage direction Assistant Jeff Kessler
Scenography Assistant Manuel La Casta
Costumes Assistant Laura Garnier
Saint Francis Robin Adams
The Angel Claire de Sévigné
The Leper Aleš Briscein
Brother Leo Kartal Karagedik
Brother Masseo Jason Bridges
Brother Elio Omar Mancini
Brother Bernardo William Meinert
Brother Silvestro Joé Bertili
Brother Rufo Anas Séguin
Grand Théâtre de Genève Chorus
Le Motet of Geneva
Orchestre de la Suisse Romande
Sponsored by
BRIGITTE LESCURE

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Partner of contemporary art at the opera

FAMILLE SCHOENLAUB
ANGELA ET LUIS FREITAS DE OLIVEIRA
*Duration is indicative and subject to change.
About
Francis of Assisi, a figure known and loved throughout the world. Believers and unbelievers admire him perhaps just as much as Roman Catholics. His hopeful, sunny disposition, his tender love for creation and for humanity, his spirit rooted in the Gospel, the audacity of his vocation and the tenacity of his struggle against the stifling norms of his time are all part of the mythical image we have of Saint Francis of Assisi today.Olivier Messiaen’s only opera Saint François d’Assise, which premiered in Paris in 1983, recounts the life of this great seeker of God’s truth and founder of the Franciscan Order. The three-act structure of the work mirrors the Christian Trinity, and its eight tableaux are the numerical symbol of spiritual renewal and the beginning of a new time. Messiaen considered it the apex of his work. The opera resonates deeply and singularly with all the characteristics of the believer, composer and committed Roman Catholic that was Messiaen. The systematic use of leitmotif, the composer’s synaesthetic conception of modal and tonal creation, the rhythmic complexity he gleaned from his passionate love of birdsong and the grandeur of his Late French Romantic dramatic gesture: it all finds its place and refuge in the greater glory of God, being far more than the mere expression of sophisticated musical artistry. Moreover, the work is of extraordinary dimensions: lasting over four hours, with not just dozens but almost hundreds of performers among the instrumentalists of the orchestra, chorus and soloists.
The staging of Saint François d’Assise, in all its awe-inspiring ambitions and proportions, will be world-famous contemporary visual artist, Adel Abdessemed’s first foray into the world of stage direction. His work is comprised of sculptures and installations of gigantic dimensions, film, paintings and drawings. The work of this artist is rooted in the turmoil of our planet; it is inspired by terror, migration, violence, suffering, death and the loss of civility. Adel Abdessemed’s work rips up polarities; between peace and adoration, hope and damnation, hell and heaven. Hell is found in every particle of every cell of human beings in society and Heaven is the only antidote against the barbarity of our times.
This French Swiss premiere will be conducted by Jonathan Nott. From 1995 to 2000 he was at the head of the famous Ensemble Intercontemporain, and his close relationship with the world of 20th century French music makes him the ideal conductor to lead his Orchestre de la Suisse Romande, the forces of the Grand Théâtre de Genève Opera Chorus and the ensemble of soloists in Messiaen’s magical creation. In the lead role, English baritone Robin Adams, noted for his commitment to the contemporary repertoire, will make his debut in the role.
Saint François at La Plage
Check out all the various events connected with the production.
45 minutes before the performance
45 minutes before the bells call you into the house, it’s time to refresh your memory and go back to the beginnings of the opera: we offer a brief introduction to remind you what the work is all about and what kind of magical, apocalyptic, critical or hyper-realistic worlds the people behind the production have in store for you. Lickety-split, there’s just enough time to grab some bubbly before you take your seats under the star-studded ceiling of a thousand and one operas!
45 minutes before each performance
Free admittance with performance tickets
Foyer of the GTG
Thursday, March 21 at 6:30PM
About Saint François d’Assise
There is something messianic about Messiaen. Pure coincidence or determinism? Come and make up your own mind at the Aperopera about the figure of the Catholic ornithologist composer, brilliant improviser and titular organist of the grand Trinité organ in Paris. The program includes Le courlis cendré, the last song in the Catalogue d’oiseaux, a foretaste of Preaching to the Birds, and two of his Vingt Regards sur l’Enfant-Jésus, a lengthy composition for piano that introduces the motifs of joy, love and the cross that you’ll find in the work tableau, a one-of-a-kind opera by Saint François d’Assise. Swiss pianist Cédric Pescia is back with one of his favorite composers. Messiaen’s writing will soon hold no secrets for you. Join the ranks of the initiated!
Thursday, March 21, 2024
At 6:30PM
Entrance fee CHF 25.-
First drink included (except cocktails and champagne)
Foyer of the GTG
Wednesday, April 3 at 7:30PM
Have you ever attended a rehearsal at the GTG? The creation of an opera requires a series of rehearsals before the première: piano dress rehearsal, Italian dress rehearsal, dress rehearsal… We invite you to attend a “Stage and Orchestra”. What is it?
It’s a rehearsal in which the singers and orchestra rehearse scene by scene in the presence of the director and accompanied by the orchestra, to check the coherence between the voices, the music and the staging. This is a unique opportunity to observe the work of the artistic teams and to discover excerpts from Olivier Messiaen’s unique and monumental opera.
And for those who would like to learn more, a discussion with director Adel Abdessemed (Stage Director, set design, costumes and video) will be held in the Foyers of the GTG after the rehearsal.
Wednesday, April 3, 2024 at 7:30PM
Door opening at 7PM
At the Grand Théâtre de Genève
Free admission on reservation
Places are limited!
Saturday, April 6 at 3PM
Cinéopéra, as both a tribute to and a discovery of the silver screen, where four opera and ballet greats who will be on stage with us this season choose their favorite film to view and discuss.
For the last event of the season, Cinémas du Grütli present Le Grand Jeu (1934) by Jacques Feyder, presented by del Abdessemed.
Saturday, April 6, 2024 at 3PM
At the Cinémas du Grütli
> MORE INFOS
Wednesday, April 10 at 6:30PM
SAINT FRANÇOIS D’ASSISE – Fresque contemplative et scintillante
Une conférence de Christian Merlin
En cinquante ans de carrière, Olivier Messiaen s’était toujours tenu éloigné du genre opéra. En 1983, le pas est enfin franchi lorsque l’Opéra de Paris crée Saint François d’Assise, qui incarne la somme de son art.
Un des plus beaux rôles de baryton de l’opéra français, un orchestre immense, un foisonnement de rythmes, de couleurs et de chants d’oiseau : quatre heures de musique où la spiritualité le dispute à la sensualité.
Wednesday, April 10, 2024
At 6:30PM
Théâtre de l’Espérance
> plan d’accès
Prix d’entrée :
Gratuit pour les membres de l’association, les Ami-e-s du Grand Théâtre et les jeunes de moins de 30 ans
Non membre : CHF 15.-
AVS et chômage : CHF 10.-
> PLUS D’INFO
Thursday, April 11 at 4PM and Sunday, April 14 at 1PM
Discover the birds of Saint François d’Assise
It’s early spring, and the melodious notes of birdsong accompany the lengthening evenings.
Echoing this awakening of nature, the Grand Théâtre welcomes Olivier Messiaen’s only opera, Saint François d’Assise. Through the life of this legendary saint, friend and confidant of birds, Messiaen unfolds the scope of his passion for ornithology and his meticulous study of birdsong.
The Groupe Ornithologique du Bassin Genevois (GOBG) has joined forces with the Grand Théâtre de Genève to immerse you in this grandiose work, a highly topical ecological plea.
Discover some of the 34 birds featured in Saint Francis of Assisi, and unravel the mysteries of these winged singers. Why do they sing, and why is their song so fascinating? How can we recognize and protect them?
GOBG experts will answer all your questions during a fun and friendly activity, open to all with prior registration.
The GOBG is an association created in 2011, whose main missions are to monitor and conserve sensitive species in the canton and nationally, and to raise public awareness of local birdlife.
www.gobg.ch
Thursday, April 11, 2024 at 4PM
Sunday, April 14, 2024 at 1PM
Free upon registration
Meet on the forecourt of the Grand Théâtre de Genève – Walk in the Parc des Bastions
> BOOK
Sunday, April 14
Haven’t you ever wondered what it’s like on the other side, when the curtain falls on a performance? How does all the technical machinery work? What do the stagehands have to do to get things back into working order? Or maybe just bump into one of the stars of the show?
So let us raise the curtain on all this for you. With every production, we give our patrons an opportunity to come backstage with us, raise their eyes to the flies and take a good look at what’s behind the sets. It may be dark in the wings but there’s a whole lot going on there! And because it’s a really busy place, we can’t really do this more than once per performance run. You will need to book your visit beforehand, so don’t delay!
A member of the theatre staff who can answer all your questions and show you some of the very impressive features of our opera house takes you backstage for free.
After the April 14 performance, a member of the theatre staff who can answer all your questions and show you some of the very impressive features of our opera house takes you backstage for free.
The “En coulisse” tour lasts about 20 minutes, starts 15 minutes after the performance, is free of charge on prior reservation with our box office service by email [email protected].
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Photos Credits
Cover © GTG / Marc Asekhame
Saint François d’Assise © GTG / Carole Parodi
