Pretty Yende

Pretty Yende

At my heart, at my breast, you my bliss, you my joy!

Schumann, An meinem Herzen, an meiner Brust, 1840

Infos and program


Infos and program

Pretty Yende, soprano
Michele d’Elia, piano

Performance recorded on May 7, 2021 at 8pm and streamed at 9pm

Duration: approx. 1h

Der Nussbaum Op. 25 Nr. 3
Mein schöner Stern! Op. 101 Nr. 4
Widmung Op. 25, Nr. 1
Schmetterling Op. 79 Nr. 2
Loreley Op. 53 Nr. 2
Aufträge Op. 77 Nr. 5
Waldesgespräch Op. 39 Nr. 3

Il barcaiuolo
La conocchia
Le crépuscule
Excerpts from Nuits d’été à Pausilippe

Que n’avons-nous des ailes…
Excerpts from Lucia de Lammermoor

PAOLO TOSTI (1846–1916)
Aprile Ideale Malìa

Zueignung Op. 10 Nr. 1
Kling ! Op. 48 Nr. 3
Allerseelen Op. 10 Nr. 8
Ständchen Op. 17 Nr. 2
Ich schwebe Op. 48 Nr. 2
Cäcilie Op. 27 Nr. 2

JOHANN STRAUSS (1825–1899)
Excerpts from Die Fledermaus



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Following the federal and cantonal directives relating to the fight against the spread of the Covid-19 virus, the recital is maintained in reduced attendance and will be streamed on our website.


When Pretty Yende sang Pamina in Mozart’s Zauberflöte in Geneva in 2015, the South African soprano from the little town of Piet Retief on the border with Swaziland charmed the Grand Théâtre audiences with her effortless and fresh top notes, striking a delightful balance in her character between ingenuity and mystery. More recently in 2018 as Elvira in Bellini’s I Puritani, she brought the Zurich audience to their feet, also gaining praise from the Tages-Anzeiger for her “voice and charisma, her condition and creative cleverness”. Now the young belcantist returns to Geneva with a song recital in the company of Michele d’Elia at the piano, although what expects us is a lot more than belcanto. A series of lieder by Robert Schumann will be followed by art songs and arias by Gaetano Donizetti, Paolo Tosti and Richard Strauss. Perhaps even Pretty Yende has a few surprises up her sleeve for her Geneva fans, that might get toes tapping and fingers clicking! Despite the wealth of musical talent and the long traditions of vocal artistry that are to be found in Africa, there all too few performers from the region that make it to classical stardom, for reasons too many to detail here. Pretty Yende is one of the happy exceptions to this economic and cultural exclusion from what surely is all of humanity’s classical music heritage. It will be a pleasure and an honour to welcome her back to Geneva, the micro-capital of this turbulent world.


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