L’incoronazione di Poppea

L’incoronazione di Poppea

Opera by Claudio Monteverdi
30 September and 1st October 2021

Fortune & Vertu
– Il n’est pas de cœur humain ou divin qui puisse prétendre combattre Amour.

Excerpt from the Prologue of the Coronation of Poppea

Info & Cast

About

Info & Cast

Opera by Claudio Monteverdi
Libretto by Giovanni Francesco Busenello after Tacitus
First performed in Venice in 1642
Last performed at the Grand Théâtre de Genève in 2006

30 September 2021 – 7.30pm
1 October 2021 – 7.30pm

CAST
Musical Director & Stage Director Iván Fischer
Co-stage Director Marco Gandini
Scenography Andrea Tocchio
Costumes design Anna Biagiotti
Lighting Designer Tamás Bányai

Nerone Valer Sabadus
Poppea Jeanine de Bique
Ottone Reginald Mobley
Drusilla Núria Rial
Ottavia / Virtu Luciana Mancini
Arnalta / Nutrice Stuart Patterson
Seneca Gianluca Buratto
Mercurio Peter Harvey
Lucano Thomas Walker
Liberto Francisco Fernández-Rueda
Fortuna / Damigella Mirella Hagen

Budapest Festival Orchestra

Sponsored by
ALINE FORIEL-DESTEZET

About

After their highly commended appearance in 2019 with L’Orfeo, Iván Fischer and his amazing orchestra are back with Monteverdi. The prologue of his first opera – the first opera – was a speech given by Music. L’incoronazione di Poppea, created thirty-six years after that in 1643, was probably not Claudio Monteverdi’s second opera, but the vagaries of document conservation made it the second to have reached us. And for the occasion, its prologue features three characters: Virtue, Fortune and Love. While the first two characters are bickering, the third prepares to take the game away. For the following four centuries, since without the Love we make, opera would have no true reason to exist.
And for the entrance of Love into opera, Monteverdi takes it out of mythology and dashes it into human history, where its ravages are trusted and proven. Giovanni Busenello chose the most famous courtesan of Imperial Rome, Poppaea Sabina (whose imaginary portrait in shameless negligée is the glory of the collections of the Museum of Art and History in Geneva) as the subject for the libretto he proposed to Monteverdi. He drew on Suetonius, Tacitus and Dion Cassius to condense into a single dramatic day the period of seven years (from 58 to 65 A.D.) which marked the rapid rise of the commoner Poppea in the emperor Nero’s favour, the latter’s divorce from Claudia Octavia, the daughter of his predecessor Claudius, and the equally rapid demise of Poppea, whose imperial husband – a tyrant, a poet, bi-sexual and mentally ill – grew tired of her so quickly that he killed her by jumping on her pregnant belly with both feet. Although this horrible scene does not appear at the conclusion of The Coronation of Poppea, the fancy Venetian or Neapolitan audiences of the mid-17th century knew their ancient history well enough to know that behind the winding embraces of “Pur ti miro” something ugly was about to happen. Iván Fischer, who likes to open and dissect great operas to better rediscover them in a spirit of curiosity about the origins of music and drama, believes that Monteverdi must have read Sigmund Freud. After all, the composer places Eros at the forefront of the opera Iván Fischer is taking on tour with his Budapest Festival Orchestra in the autumn of 2021. With class conflict and echoes of the Black Lives Matter movement in the background, the conductor-cum-director strikes a pose and poses a question.
In the title role of this brilliantly immoral and erotic opera, the Trinidadian soprano Jeanine De Bique embodies for Fischer a modern young woman who owes the softness of her skin to frequent baths of asses’ milk and the gentleness of her soul to her solidarity with oppressed minorities. Iván Fischer recalls that, according to Flavius Josephus, Poppaea protected the Jews of Rome from persecution. Her ethnic and social origins, her intellectual world, everything separates her from Nero. Seneca, played by Gianluca Buratto (on cast in our 2019 production of Les Indes galantes), bleeds to death and the enchanting Núria Rial as Drusilla gets caught in her tangled web of deceit. Love turns the world upside down while Freud nods his head.

Plage

Poppea at La Plage

Conference 28.9.2021
Intropéra 45 minutes before each performance

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